Javanese Gamelan as Sacred Manifestation: Exploring Its Role in Catholic Liturgical Inculturation and Spiritual Dialogue

Main Article Content

Pius Pandor
Sekundus Septo Pigang Ton
Petrus Yuniarto
Heribertus Heribertus

Abstract

Javanese gamelan, a traditional musical ensemble deeply embedded in Javanese culture, serves as a profound symbol of harmony and spiritual values, reflecting principles such as balance, restraint, and tolerance. Historically integral to religious and ceremonial contexts, gamelan embodies a sacred medium through which the Javanese engage with the Divine, aligning with Mircea Eliade’s concept of hierophany—the manifestation of the sacred in the profane world. Despite its rich cultural and philosophical significance, contemporary shifts have led to a decline in gamelan’s popularity and its associated values, impacting cultural practices including the inculturation process within the Catholic Church among Javanese communities. This qualitative study, based on interviews, observations, and literature review, demonstrates that gamelan transcends mere musical function, offering a theological and cultural framework that can enhance Catholic liturgical music. Integrating gamelan into worship not only enriches faith expression but also fosters cultural identity and supports liturgical inculturation. The findings contribute to the discourse on cultural heritage preservation and religious adaptation by proposing a model that harmonises local artistic traditions with Christian worship, encouraging further interdisciplinary research and practical application.

Article Details

How to Cite
Pandor, P., Ton, S. S. P., Yuniarto, P., & Heribertus, H. (2025). Javanese Gamelan as Sacred Manifestation: Exploring Its Role in Catholic Liturgical Inculturation and Spiritual Dialogue. Wawasan: Jurnal Ilmiah Agama Dan Sosial Budaya, 10(1), 97–108. https://doi.org/10.15575/jw.v10i1.44788
Section
Articles

References

Adon, M., & Renda, M. (2022). Umma Kalada Sebagai Ruang Sakral Dan Media Pendidikan Moral Suku Kalindakana Weelewo Katodalobo Sumba Barat Daya Menurut Pemikiran Mircea Eliade. Harmoni, 21(2), 278–299. https://doi.org/10.32488/harmoni.v21i2.590

Ananda, S., Martini, & Herminasari, N. S. (2022). Minat Generasi Muda kepada Pelestarian Gamelan Jawa di Komunitas Gamelan Muda Samurti Andaru Laras. Jurnal Studi Budaya Nusantara, 6(2), 84.

Arif, M. F., Wibowo, S., & Nada, N. Q. (2022). Pengenalan Alat Musik Tradisional Gamelan Jawa Berbasis Android Menggunakan Augmented Reality. Indonesian Journal of Informatics and Research, 3(1), 2.

Arifianto, R. (2017). Peran karang taruna dalam pemberdayaan pemuda melalui pelatihan karawitan gamelan jawa dusun plumbon kelurahan ngadirejo kecamatan eromoko wonogiri. Jurnal Pendidikan Luar Sekolah, 6(2), 134–146.

Astari, W. M., Mayasari, D., & Saddam, S. (2024). Character Education Based on Local Wisdom: An Analysis of the Modernisation Impact on the Ngayu-ayu Ritual in Sembalun Lombok. Wawasan: Jurnal Ilmiah Agama Dan Sosial Budaya, 9(2), 109–122. https://doi.org/10.15575/jw.v9i2.37853

Beck, H. L. (2018). Back to Sendangsono: A Marian Pilgrimage Site as a Lens on Central Javanese Cultural Values. Bijdragen Tot de Taal-, Land- En Volkenkunde, 174(2–3), 244 – 263. https://doi.org/10.1163/22134379-17401023

Berek, Y. (2021). Melacak Visi Hierofani di Balik Narasi Ngibau (Pemeliharaan Padi) Suku Dayak Peruan Kalimantan Barat. Perspektif, 16(1), 1–14. https://doi.org/10.69621/jpf.v16i1.18

Burtchaell, J. T. (1990). Dalam Untung Dan Malang, Ikatan Janji Perkawinan. Yogyakarta: Kanisius.

Codoban, A. (1998). Eliade’s Idea of Ultimate Reality and Meaning: A Disanthropomorphized, ’Weakened’ Transcendence. Ultimate Reality and Meaning, 21(2), 84–91. https://doi.org/10.3138/uram.21.2.84

Damayanti, S. S. (2023). Fenomena Adaptasi Beragama di Saat Pandemi Covid-19 Oleh Umat Hindu di Desa Bangsongan Kecamatan Kayen Kidul Kabupaten Kediri Ditinjau dengan Teori Yang Sakral dan Yang Profan Perspektif Mircea Eliade. Jurnal Moderasi, 2(2), 23–42. https://doi.org/10.14421/jm.2022.22.02

Desanti, B. (2023). Hierophany. 27(1).

Eliade, M. (1959). The sacred and the profane: The nature of religion, trans. . Harcourt, Brace & World, Inc, 229, 27–28.

Fatmawati, E. (2021). Strategies to grow a proud attitude towards Indonesian cultural diversity. Linguistics and Culture Review, 810–820.

Fiamrillah Zifamina, I. (2022). Yang Sakral, Mitos, dan Kosmos. Panangkaran: Jurnal Penelitian Agama Dan Masyarakat, 6(1), 69–86. https://doi.org/10.14421/panangkaran.v6i1.2806

Firmanto, A. D. (2023). Musik dan Nyanyian dalam Magisterium Abad Ke-20. Seri Filsafat Teologi, 23(22), 104–111. https://doi.org/10.35312/serifilsafat.v23i22.208

Fisabilillah, A., Yunitasari, A., Rengganis, M. P., Dayanti, R. E., & Darmadi. (2022). Pertunjukan Kebudayaan Reog Ponorogo “ The Culture of Java ” Taruna Adhinanta di Universitas. 5(1), 24–31.

Hananto, F. (2020). Gamelan Sebagai Simbol Estetis Kebudayaan Masyarakat Jawa. Representamen, 6(01). https://doi.org/10.30996/representamen.v6i01.3511

Handoko, P. M. (2001). REKAN-ANGGOTA DAN REKAN-PEMBANGUN KERAJAAN ALLAH: Pendasaran Teologis untuk Penghayatan Iman yang Merangkul. Studia Philosophica et Theologica, 1(1), 29–37.

Hartanto, C. K., Darmawan, D. R., Manalu, C. R., & Lenny, A. (2021). Alat Musik Tradisional di Masa Modern (Sape’Dayak Kayaan dalam Kajian Nilai Budaya). Gondang, 5(2), 182–192.

Imaniyyah, K., Prameswari, T. A. A., Zahra, T. A., Adibah, N. F., & Maulana, A. M. R. (2024). Javanese Culture and Its Actualisation within Christian Faith: Study in the Gereja Kristen Jawi Wetan. Wawasan: Jurnal Ilmiah Agama Dan Sosial Budaya, 9(1), 13–22. https://doi.org/10.15575/jw.v9i1.30153

Iswantoro, G. (2018). Kesenian Musik Tradisional Gamelan Jawa Sebagai Kekayaan Budaya Bangsa Indonesia. Jurnal Sains Terapan Pariwisata, 3(3), 131.

Jesus, H. de. (2021). Konsep Fua Pah Masyarakat Dawan Sebagai Wujud Tertinggi Dalam Komparasi Dengan Pemikiran Mircea Eliade. Fides et Ratio, 6(1), 47–58.

Krishna, I. P. A. D. & I. B. W. (2019). Konsep Ketuhanan Dalam Suara Gamelan Menurut Lontar Aji Ghurnnita. Genta Hredaya, 3(1), 49–56.

Kristanto, J. (2023). Nyanyian Dalam Liturgi. Seri Filsafat Teologi, 23(22), 143–149. https://doi.org/10.35312/serifilsafat.v23i22.201

Kurniawati, A., Yuniarno, E. M., Suprapto, Y. K., & Soewidiatmaka, A. N. I. (2023). Automatic note generator for Javanese gamelan music accompaniment using deep learning. International Journal of Advances in Intelligent Informatics, 9(2), 231 – 248. https://doi.org/10.26555/ijain.v9i2.1031

Kusumawati, A. A. (2013). Nyadran Sebagai Realitas Yang Sakral: Perspektif Mircea Eliade. Thaqafiyyat, 14(I), 145–160.

Lailisna, N. N., Bashori, B., & Budiarti, M. (2024). Navigating Javanese Womanhood in the Digital Age : Perspectives from Digital Natives and Immigrants. https://doi.org/10.15575/jw.v9i2.35240

M. Lutfi Mahasinul A, D. A. A. G. S. (2020). Aplikasi Pengenalan Alat Musik Gamelan Jawa. Transformasi, 16(1), 43–53. https://doi.org/10.56357/jt.v16i1.215

Malla, C. D., & Manik, R. P. (2023). Kajian Filsafat Ontologi Martin Heidegger atas Peran Musik dan Nyanyian Liturgi bagi Perkembangan Hidup Umat Beriman. Media (Jurnal Filsafat Dan Teologi), 4(1), 61–72. https://doi.org/10.53396/media.v4i1.139

Matei, R. (2014). Mircea eliade and Ioan Petru Culianu two different paradigms in the study of religious facts. Philobiblon, 19(1), 9–18.

Muhammad, Y., & Utomo, dan A. H. (2017). Harmoni Musik Gamelan Jawa sebagai Jalan Mistik (Analisis Filosofis). Universitas Gadjah Mada.

Nara, M. A., Sudhiarsa, R. I. M., & Yuniarto, P. (2024). Eco-Theology : Purification of Respect Against Du ’ a Ngga ’ e Ende-Lio Tribe. 1(2), 85–92.

Oktavia, N. S., Gandamiharja, S., & Akbar, I. B. (2013). Perbandingan Efek Musik Klasik Mozart dan Musik Tradisional Gamelan Jawa terhadap Pengurangan Nyeri Persalinan Kala I Fase Aktif pada Nulipara. Majalah Kedokteran Bandung, 45(4), 218–225. https://doi.org/10.15395/mkb.v45n4.174

Puguh, D. R., Utama, M. P., & Mufidah, R. (2023). Acceptance of Javanese Karawitan in Japan: Appreciation of traditional culture and community activities. Cogent Arts & Humanities, 10(1), 2217586. https://doi.org/10.1080/23311983.2023.2217586

Putra, K. K., Budiono, H., & Budianto, A. (2022). Pelestarian Industri Kerajinan Gamelan Mustika Laras Di Desa Jatirejo, Kecamatan Loceret, Kabupaten Nganjuk. Prosiding SEMDIKJAR (Seminar Nasional Pendidikan Dan Pembelajaran), 699–708. https://doi.org/10.29407/5rwz9g27

R. Hardawiryana, S. (2009). Sacrosanctum Concilium (Konsili Suci). Dokumentasi Dan Penerangan KWI, 521–653.

Réjasse, C. (2011). Vakirà bara and catholic baptism. An inculturated ritual in Madagascar; [Vakirà Bara et bap tême catholique un rituel inculturé à Madagascar]. Revue de La Histoire Des Religions, 228(1), 71 – 92. https://doi.org/10.4000/rhr.7715

Rennie, B. S. (2007). Mircea eliade and the perception of the sacred in the profane: Intention, reduction, and cognitive theory. Temenos, 43(1), 73–98. https://doi.org/10.33356/temenos.4625

Riyanto, A. (2001). Fides et Ratio Menggagas Pertautan Teologi dan Filsafat plus Implikasinya dalam terang Ensiklik Fides et Ratio. Philosophy and Theology, 1(1), 1–28.

Rumiwiharsih, R. (2024). The coherence between Javanese Gamelan (Traditional Instrument) and Classical Javanese Dance. Retos, 61(November), 1628–1634. https://doi.org/10.47197/retos.v61.110574

Saptono, Haryanto, T., & Hendro, D. (2019). Greng Sebuah Estetika Dalam Kerampakan Antara Gamelan dan Vokal. KALANGWAN Jurnal Seni Pertunjukan, 5(1), 29–38.

Schreffler, C. R. (2023). Our Sounds Reach the Other World: Sacred Musical Instruments and Their Spiritual Roles. CrossCurrents, 73(2), 111–126.

Sudhiarsa, R. I. M. (2021). Doing Theology And Our Theological Education: An Indonesian Perspective. International Journal of Indonesian Philosophy & Theology, 1(2), 105–115. https://doi.org/10.47043/ijipth.v1i2.10

Sulistyono, B., Purwasito, A., Warto, & Pitana, T. S. (2022). Representation of European and Javanese Culture in the Catholic Church of St. Antonius Purbayan Surakarta, Indonesia. ISVS E-Journal, 9(3), 183 – 200. Retrieved from https://www.scopus.com/inward/record.uri?eid=2-s2.0-85135004838&partnerID=40&md5=ef13394a7b671bf36049cf0e19345213

Sunardi, C. (2024). Speaking of the Spiritual: An Exploration of Knowledge and Pedagogy in Performing Arts in Malang, East Java. Asian Theatre Journal, 41(2), 235–268. https://doi.org/10.1353/atj.2024.a936936

Susanti, D. I., Susrijani, R., & Sudhiarsa, R. I. M. (2019). Traditional Cultural Expressions and Intellectual Property Rights in Indonesia. Yuridika, 35(2), 257. https://doi.org/10.20473/ydk.v35i2.15745

Susanto, H. (1987). Mitos Menurut Pemikiran Mircea Eliade. Yogyakarta: Kanisius.

Ton, S. S. P. (2023). Lodong Me Sebagai Ucapan Syukur Kelahiran Anak dan Restu Para Leluhur Perspektif Adat Maumere, Sikka, Flores. Journal of Engineering Research, 2(2), 149–159.

Widyaputra, B. (2021). Yang Sakral dalam Pemikiran Mircea Eliade. Dekonstruksi, 2(1), 81–90.

Widyawati, F., Lon, Y. S., & Midun, H. (2025). Mission and inculturation: Preserving local language and culture in the Indonesian church. HTS Teologiese Studies / Theological Studies, 81(1). https://doi.org/10.4102/hts.v81i1.10516

Wiranata, I. G. A. B. (2011). Antropologi budaya. Citra Aditya Bakti.

Wiyati, W. S., Saptono, S., & Raharjo, A. (2023). Gong dalam Budaya Masyarakat di Indonesia. Journal of Music Science, Technology, and Industry, 6(1), 19–30.